Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
Australian troops practising bomb (hand grenade) throwing from slit trenches. The explosions are filmed at various angles and distances. The 'cup final' of 7th (Meerut) Division football championships...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
I. A long sequence of 2/4th Battalion, the Dorset Regiment, with its band leading, marching into Bethlehem (poor quality film). II. Allenby's visit to Bethlehem, 25 December 1917. He can be seen among...
(Reel 1) The arsenal entrance in Beresford Square, with the internal train taking the workers to various departments. Women and boys in the Tailors' Shop make gloves, felt "buttons" for 15-inch shells...
The divisional commander, Brigadier-General F S Meighan, shows the journalists around the training area. (Very broken film, extremely hard to follow.) The men are engaged in various kinds of training:...
Allemands se rendant á Vauxaillon (Département Aisne, Picardie)
22861 - Monceau de décombres
Église de Troyon (Département Meuse, Lorraine, Église Saint-Martin)
Brief des bayerischen Innenministeriums mit Antrag auf Widerruf der Zulassung des Bildstreifens "Frauennot - Frauenglück" an die Filmoberprüfstelle Berlin vom 06.12.1930.
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Italian screenplay (version from February 1968, excerpt) for "Kampf um Rom. 2. Teil: Der Verrat".
Hellwig, Albert. "Zur Reform der Filmzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 56-58. Gerichtsassessor A.H. erklärt das mögliche Zustandekommen e...
Internal correspondence regarding "Ein Mann muß nicht immer schön sein".